PROJECTS
Scope2020
‘SCOPE’ is a lamp that creates different lighting moods by illuminating a multi-coloured surface. With this project, I explored ways of reproducing how natural light illuminates our homes very evenly after the sun rays are being reflected and scattered by numerous matter.
Light influences our sleep, productivity, cognition, and general wellbeing. At a biological level, we react to light differently based on its colour and height. When the sun stands high in the sky, it exposes us to cool-white light, which naturally makes us active. As the sun lowers in the sky, or derives from fire, the tones are warmer and we are encouraged to slow down and rest.‚SCOPE‘ mimics nature's tones from cool to warm in relation to the height of the light.
Acknowledging the profound impact that light has on humans is ever more relevant in recent years as the home has extended its purpose: From once being a place where we predominantly eat and sleep, it has evolved into a multifunctional hub for rest, work, and leisure. As a result, we require objects like ’SCOPE’ that adapt to a broader range of needs in an intuitive, understandable way.
The dome-like reflector is hammered to shape from sheet metal, and colored with pigments. The lamp with its telescopic pole is made from aluminum tubes, sheets, and hand-milled connector parts.All metal parts are made from 100% aluminum in order to easily be recycled, if not in use anymore. The electrical equipment is attached mechanically, to ensure easy exchange or replacement of each part.
Photo I by ©Ronald Smits










Extendables
This is a children's clothing concept that uses knit as a handcrafting technique to extend the size and therefore lifespan of garments.
By now it is common sense, that there is an urgent need for more sustainable ways of consumption. This lead to a shift in the values of many consumers to feel more responsible and therefore the will to actively participate in the making and maintenance of garments.
Especially in the field of children's clothing, it can be a real challenge to reduce and buy less, because children quickly grow.
Extendables, enables the consumer to continously adjust and customize the size of a garment and to individually react to a child’s needs and wishes.
Due to the unique nature of knit as a technique the pieces are endlessly extendable and also completely reversible.
The edges on the cuffs and body, that will extend over time, are marked with a coloured rim. By picking up the last stitches around the edge of the garment, missing rows can be added at home.








Coral
Drawing inspiration from leather of the amazonian PIRARUCU fish, I wanted to recreate the repetative, three dimensional and flexible pattern.
As a result I developed a way to give paper this simple but beutiful structure that plays with translucency light and shadow.




Latex_Vase_2018
Inspired by the technique of slipcasting, these vases challenge the natural behavior of latex:
it‘s instability. Using the shape it self as the skeleton to keep the vase standing gives them their playful look.
The semi transparency of the latex allows it to interact beautifully with the light. Taking latex out of it‘s fetish image into the livingroom.






Back to Overview
Stucco_Stool
When thinking of luxuriousness, one of the first associated materials is marble.
As the material of choice for ancient sculptors and architects, it has long been a cultural symbol of refined and exquisite taste. Its beauty has never fallen out of fashion.
Because of its rarity and price, craftsmen came up with an alternative: stucco marble, an ancient technique that combines plaster in a way that mimics the natural sedimentary layers in marble.
The basic ingredients, mainly plaster, are not only cheap but individually hold no association with luxury. Only when treated by a craftsman it becomes valuable due to the transformation by the expertise and my interested in the contrast between cheap ingredients and luxurious results grew.
I want to open up the question, on which parts we really need a perfect finish because we really come in contact with the object, and where raw untreated materials can be beautiful left as such.
Applying marble as a cultural symbol of luxury to a contemporary stool aims to emphasize the value of craftsmanship and the beauty of the difference between a smooth finish and the raw material.





Erlkoenig_2018
In this early project, I researched the phenomenon of pattern recognition in humans.
Our brain’s tendency to complete complex patterns result in visual relaxation. It let‘s us comprehend complex structures in a matter of seconds.Looking into the development of patterns, which the automotive industry uses to hide new models wile test driving, started the interest in altering or irritating shape by using a pattern.
I played with perception of depth, focus and shadow within new designs as well as famous recognizable pieces as a reflection on how the absence of shape informs our understanding of an object.





Venomous_2018
Venomous is an alternative treatment tool set for Bee-Sting-Therapy also called Apitherapy. Bee Venom has recently gained in popularity to help treating medical issues from autoimmune diseases to arthritis.
Hearing from the experiences of a multiple sclerosis sufferer, I wanted to create Venomous to simplify the process through designing a full kit of appealing objects to help begin therapy.





arabesque
Arabeske: Eine zeitgenössische Interpretation ornamentaler Jugendstilelemente eingearbeitet in Tech-Accessoires. Die handgefertigte Gravur steht dem industriellen Charakter des Accessoires gegenüber und eröffnet dem Nutzer so neue Bezugspunkte.





ABOUT
Through light and furniture design, my work explores how the objects and products that surround us reflect ways of living. With a background in biology, I find ways to combine scientific research with my interest in the sensual and emotional qualities of objects and spaces.
Bachelor of Arts at Design Academy Eindhoven 2020, Junior Designer at Studio Moreno Schweikle in 2021, Internship Product Design at Studio Hanne Willman 2019, Exchange semester at Shenkar College in Tel-Aviv in 2018
Read more about my practice in this article on Dare Clan Magazine and find my work discussed at Sight Unseen and Frame Magazine.
If you want to know more, please contact me: charlotte@bombel.com

Through light and furniture design, my work explores how the objects and products that surround us reflect ways of living. With a background in biology, I find ways to combine scientific research with my interest in the sensual and emotional qualities of objects and spaces.
Bachelor of Arts at Design Academy Eindhoven 2020, Junior Designer at Studio Moreno Schweikle in 2021, Internship Product Design at Studio Hanne Willman 2019, Exchange semester at Shenkar College in Tel-Aviv in 2018
Read more about my practice in this article on Dare Clan Magazine and find my work discussed at Sight Unseen and Frame Magazine.
If you want to know more, please contact me: charlotte@bombel.com